Nora enters the city

Here’s one of my illustrations from What’s Left of the Stars. In this scene, Nora has just left her home and entered the city. She does not receive a warm welcome at first.

What’s Left of the Stars is available on Kindle.

Copyright 2019 Matthew David Curry. All rights reserved.

Advertisements

What’s Left of the Stars

My new e-book is called What’s Left of the Stars. It’s available on Kindle for 99 cents. It’s a wacky science fiction story for kids. (I’ve been working on this project since last summer. That’s why I haven’t posted much art lately.)

Nora lives in a little house on an asteroid with a cruel, evil man named Mr. Sly. Nora dreams of escaping from him. One morning, a meteor crashes into the roof and destroys the house. Mr. Sly dies, but Nora survives. As the house collapses in a ball of flames, Nora crawls into Mr. Sly’s fancy space car and stares at all the glowing buttons on the dashboard. Terrified but hopeful, Nora flies away in search of a new life.

You can click here to see more.

Copyright © 2019 Matthew David Curry. All rights reserved.

Alara

Lately, I’ve been watching a new show called The Orville, a comedy version of Star Trek: the Next Generation. It’s one of my favorite shows now. The other night, I drew a picture of Alara, a character played by Halston Sage.

Happy Thanksgiving.

Under the Electric Sun

I recently drew a new cover design for Under the Electric Sun, the science fiction novel I wrote back in 2012. I was never happy with the earlier cover. Here is a photo of the new version. No, I didn’t put greasy Saran Wrap over the camera lens. I took this picture with my prepaid cellphone, a tedious little device that demands to be recharged twice a day. Sometimes, you just do the best you can.

Under the Electric Sun is available in paperback for $6. The Kindle version is 99 cents. You can click here to order.

I hope you’re enjoying the cool weather — if you happen to live in this part of the world. Have a lovely weekend.

Dear Hollywood

Dear Hollywood,

I loved the computer-generated special effects when I first saw Terminator 2. For a long time, I thought computer effects looked spectacular and impressive. But something changed over the years. Maybe the digital material became too surreal and cartoonish. Or maybe I got older and lost my sense of wonder. Whatever the reason, I’ve reached the point where I cringe every time I see digital effects. It looks as if someone sprinkled pieces of a PlayStation 2 game into the movie.

The artists who create these effects are obviously talented, brilliant people. I respect them. I admire their skill. I’m not trying to insult their work. But I’m tired of “video game movies.” Can we please go back to practical special effects now? I want to see something that looks real and solid again.

Thank you for reading.

Matthew

Finding Drake Novak

Finding Drake Novak is a dark comedy about a renegade alien who draws his nourishment from the pain and suffering of other living things. On the run from the Galactic Police, Drake Novak comes to Earth and takes over a plastic factory in a small town in Georgia. He makes every job as difficult as possible so the workers live in endless frustration. He stands at the observation window in his office and stares down at all of them, absorbing their pain the way a plant absorbs sunlight.

A young man named Malpheus Mallock, a rookie officer from the Galactic Precinct, travels to Earth to arrest Drake Novak. But Malpheus has a problem. His tracking device doesn’t work correctly. Malpheus lands in the front yard of an elderly couple named Carl and Christine. They introduce Malpheus to fried chicken, sweet tea, and Atlanta Braves baseball — but he desperately wants to fix his tracking device so he can find and capture Drake Novak.

Finding Drake Novak is available in paperback and e-book on Amazon.