Creating Marvels

My friends C. Lue and Angela Disharoon were kind enough to chat with me on their podcast, Creating Marvels. They are both talented artists and musicians. C. Lue is also the author of a Southern Gothic romance called Anywhere With You. The book is available on Amazon.

You can click here to listen to Creating Marvels.

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Summer sketches

I hope you’re having a good year so far. This is my first blog post in a long time. Last summer, I started writing a new book. I just recently finished it and published it on Amazon in April. Anyway, I tend to have a one-track mind. I usually pour all my energy into one project at a time and neglect everything else. This blog is normally the first thing I abandon.

Sorry about that.

Since Starlight Desperado is finally completed and published, I decided to buy a little sketchbook at Dollar General and start drawing again. Here are a couple of pictures I drew the other night. I photographed my sketchbook in the grass. I got the idea from a wonderful artist known as The Crazy Bag Lady. Sadly, my grass is not nearly as pretty as hers.

 

Copyright 2018 Matthew David Curry

Starlight Desperado

Good morning. My new book is on Amazon now. It’s a story about growing up in church, feeling extremely uneasy about God, leaving church, struggling with anxiety, using substances to cope with that anxiety, and then eventually realizing that God wasn’t the scary monster I thought He was.

I’ve been clean for eight years now. Even though I still struggle with anxiety sometimes, I’ve learned to lean on God and pray during those nervous moments — instead of grabbing pills. My life is much better now. I don’t miss my old habits at all.

The book is available in paperback and on Kindle. You can click here to order.

 

Copyright 2018 Matthew David Curry.

Under the Electric Sun

I recently drew a new cover design for Under the Electric Sun, the science fiction novel I wrote back in 2012. I was never happy with the earlier cover. Here is a photo of the new version. No, I didn’t put greasy Saran Wrap over the camera lens. I took this picture with my prepaid cellphone, a tedious little device that demands to be recharged twice a day. Sometimes, you just do the best you can.

Under the Electric Sun is available in paperback for $6. The Kindle version is 99 cents. You can click here to order.

I hope you’re enjoying the cool weather — if you happen to live in this part of the world. Have a lovely weekend.

Leaving the Nest…

Gary lived in a nest of shredded magazine pages. Every morning and every night, he sat in his nest and stared at a miniature television set with a black and white screen, one he had found in a junk pile. Most of Gary’s knowledge about the world above him came from the television.

His nest was located on a windowsill in the basement of an old, old spaceship. All the ship’s garbage fell into the basement through trap doors in the ceiling. Gary spent his days flying over the garbage piles, searching for scraps of food and interesting pieces of junk. He was always careful to avoid the vulture beetles that ate everything (including metal) in order to make room for more garbage.

Gary didn’t live alone on the windowsill. An octopus human hybrid lived in a cardboard box right beside him. The octopus looked just like any other octopus except he had a human face (with baggy, bloodshot eyes) and breathed oxygen and complained about all of Gary’s soap operas.

One morning, Gary sat in his nest, watching a commercial for a steakhouse located on the top floor of the ship. He wondered what it would be like to eat in a steakhouse, to eat firsthand food rather than dirty old scraps someone else had tossed out.

The octopus slouched in his cardboard box and looked out the window at the stars.

“Hey, Gary, do you see that thing out there?” the octopus asked.

“You mean that giant asteroid?” said Gary. “Yes, I see that. What about it?”

“It’s coming straight toward us,” said the octopus.

“Oh, I’m sure it’s not a problem.”

“Maybe you should go upstairs and mention it to somebody,” the octopus told him, shifting his bloodshot eyes back and forth.

Gary shrugged. “I’m sure they already know.”

“Maybe not. They might not be paying any attention. Everybody’s in a big frenzy. They’re all excited about the debate or something, aren’t they?”

“They’ll see it soon enough,” said Gary, shaking his head and wishing he could enjoy his soap opera in peace. “How could anyone overlook something that size?”

“I don’t know,” the octopus went on. “When you watch the evening news, you get the impression that most of those folks upstairs aren’t too bright. You know what I mean? You may want to just run up there real quick and, you know, mention it to somebody.”

“Not now,” said Gary.

“I think you should.”

Gary cleared his throat. “I may do it later.”

“It might be too late,” said the octopus, peeking out the window.

“Why can’t I sit here in my nest and watch my program?” Gary shouted, flapping his wings and grinding his teeth. “Can you at least let me have that one luxury? Please? Every day of my life is a bland, worthless echo of the one before it. I crawl out of my nest, I fly around this dark room, I find scraps of food for us to eat, I avoid the vicious vulture beetles, and then I return to the windowsill. Television is the only oasis I have. My only other form of recreation is gazing out the window at the black, infinite void and thinking about my futile existence.”

The octopus rolled his eyes. “You’re not going to miss anything, Gary, That show is a re-run, remember? All these people die at the end.”

Gary flapped his wings and screamed, “I’ve never seen this episode before! Why do you have to ruin it for me? Why?”

“Well, now you don’t have to watch it. You know how the thing’s going to end. Now run upstairs and tell somebody about that big space rock.”

“No!” Gary yelled. “Stop harassing me!”

“It’s getting closer. And it has little red patches. Looks like lava on that thing. What about that? A big ball covered in lava is coming at us. And you want to watch soap operas.”

Gary turned away from the miniature television and looked out the window again. He realized the octopus was right. The asteroid was getting closer. And there were red patches on it.

“But how would I get upstairs?” Gary asked, trembling. “The garbage associates hardly ever come down here. The doors are locked most of the time. I couldn’t go upstairs if I wanted to.”

***

You’ve been reading an excerpt from The Quality of Life in Outer Space, available on Amazon. Gary is an eagle with a human head. He takes off on a journey to the top floor of the spaceship and struggles to warn the crew about the oncoming asteroid. He learns some shocking secrets along the way. The book is aimed at younger readers, but adults would get a laugh out of it too. The paperback is $5 plus shipping and handling. The Kindle edition is $1.99. You can click here to order.

My Books

I started writing when I was twelve and never stopped. Now I work in a factory, driving a rickety old forklift, but I still write books in my free time. I self-publish them on Amazon too. Writing is more than a hobby for me. It’s a basic need like food and water. I mostly write science fiction stories filled with dark, twisted humor. Sometimes I write madcap comedies set in the South. I also write a little bit of nonfiction.

Finding Drake Novak combines science fiction and Southern Gothic. Drake Novak is a malevolent alien with bloodshot eyes and a black business suit. He draws his nourishment from the pain and sadness of other living things. He takes over a factory in rural Georgia and keeps all the workers as miserable as possible. He absorbs their frustration and despair the way a plant absorbs sunlight. Then a young policeman from the Galactic Precinct comes to Earth to arrest him.

Under the Electric Sun is a book about a robotic raccoon and a boy named Jake. They live in a luxurious underground city beneath the ruins of Washington, DC. One afternoon, as they relax in a room full of plastic trees, a giant praying mantis arrives and tells them it’s safe to live on the surface again. Their lives change forever.

I also love to draw. Sometimes, when people find out I’m an artist, they hound me to draw portraits of their kids. Or they describe tattoo ideas to me, asking me to draw all kinds of ridiculous, complicated things. Some people are downright rude and pushy about it. How to Make an Artist Miserable is a book about these annoying people and the ways I’ve learned to deal with them.

All my books are available on Amazon. You can order paperback copies or download them to your Kindle.

* You can also visit The Publishing Parlor, my other blog, to learn more about my books. It’s mostly a collection of book samples and a few personal essays. Feel free to visit, but please don’t follow it. If you follow that blog, your inbox will be flooded with posts. I update it compulsively. It will drive you absolutely nuts, I promise.

Thanks for reading.

The other blog

Good evening. I hope you’re doing well. I’m battling a sinus infection this weekend. But that’s okay. I’ll get over it. I’ll be fine. (Or I’ll die on the sofa covered in Kleenexes and old TV Guide magazines.)

Anyway, I’ve started a second blog. It’s called The Publishing Parlor because that’s my nickname for my home office. If you’re a WordPress blogger, please don’t follow this new blog. It will be mostly samples of my books with links to them on Amazon. I’m going to post a handful of samples every single day. Each post will be tagged with words and phrases like “Amazon” and “fiction” and “summer reading.” Hopefully, people will be more likely to stumble across me in search engine results. It’s like an ongoing commercial for my books. On the internet.

If you follow The Publishing Parlor blog, it will clog up your reader. Or your inbox. And it will annoy you. Because you’ll see lots and lots of book clips. Over and over and over again. And many of them will be repeats. Trust me. It’s not a normal blog. It’s not something you want to follow. I’m just telling you to save you some time and frustration.

Peace, love, and cough syrup. Happy Memorial Day, people of the internet.

Lost in Germany

We found an auditorium where a heavy metal band was playing. Thick smoke floated above our heads. Red laser beams flashed in the air. People danced with their eyes closed, waving their arms in slow motion, grasping at imaginary objects with their fingers. I watched them with nervous curiosity.

After the show was over, I stumbled into the street with Greg and Jesse. It was time to return to the youth hostel. We walked down a staircase in the sidewalk, into the concrete labyrinth where the subway trains lived. We boarded a train and rode through the tunnel a few minutes. Then we stepped off and climbed another set of stairs.

When we reached the top of the stairs and looked around, we didn’t recognize the signs and buildings around us. We had gotten off at the wrong stop. We didn’t know where we were. It was almost eleven o’clock. And we couldn’t call our teacher on our cell phones because we didn’t have cell phones. It was 1998.

So we rambled through the streets, asking strangers for directions to the youth hostel where we were staying. Most of them were friendly and polite, but they had never heard of the Jump In Youth Hostel. We even found a black taxi cab parked indiscreetly on the sidewalk, a common practice in Germany. The driver sat behind the wheel, sipping coffee and listening to the radio. We eagerly asked him to take us to the Jump In Youth Hostel, but he shook his head and started pointing, giving us directions in German. None of us understood German well enough to know what he was saying. We mumbled “danke” and walked away, disappointed and discouraged.

We walked through the subway and found a group of policemen playing cards in a small, dirty room with pictures of naked women plastered on the walls. We explained our predicament to them. They also gave us helpful directions in German.

***

You’ve been reading an excerpt from How to Make an Artist Miserable. The Kindle version is free May 19-23. The paperback version is $5 plus shipping and handling as always.

You can click here to order a copy.

Copyright 2015, 2017 Matthew David Curry. All rights reserved.

Solitude

I hate it when people stand behind me, staring down at my paper and invading my personal space. I don’t know how other artists work, but I spend a long time building the basic shape before I flesh out all the little details. If I’m sketching a face, I might spend ten minutes forming the outline of the head and the curves of the hair around it. But if spectators are gathered around me, I feel obligated to hurry up and work faster in order to keep them entertained. This hasty scrambling always leads to a sloppy picture.

People also love to yell out brainless comments as I draw. If I’m drawing a face, for instance, I will loosely sketch the eyes, make some rough marks representing the nose, scribble in the lips, and then return to the top of the face to add detail to the eyes. As soon as I direct my attention to the eyes, some bonehead will blurt out, “You forgot the give her nostrils! She needs nostrils, don’t she? Are you not gonna give her no nostrils?”

They don’t understand that I’m building the picture in layers. They just think I’m forgetting important details, so they like to point at the paper and remind me to add this and that. Sometimes, they’re deliberately being rude. Sometimes, they’re truly ignorant. Whatever their motivation, it drives me insane. If you don’t know what you’re talking about, don’t open your mouth and spew criticism.

This is why I prefer to draw in the privacy of my apartment, spinning a Miles Davis record on my turntable. Or sitting in a cool hotel room, drinking coffee and listening to the soothing music of The Weather Channel.

***

How to Make an Artist Miserable is free on Kindle May 19-23. The paperback version is still $5 plus shipping and handling.

You can click here to order a copy.

(Copyright 2015, 2017 Matthew David Curry. All rights reserved.)